Hymns Modern and Ancient, published by Heart Publications, a ministry of Steve Pettit Evangelistic Association, contains 29 songs by Keith Getty. The compiler, Fred Coleman, heads up Bob Jones University’s Department of Church Music. He writes positively of the Oxford Movement, which was a subtle and very dangerous back-to-Rome movement within the Church of England in the late 19th century. This shows a frightful lack of spiritual discernment on Coleman’s part, but to recommend both the Oxford Movement and contemporary worship is consistent, because they represent the same spirit, as we have documented in the video presentation “The Foreign Spirit of Contemporary Worship Music,” which is available as a DVD or a free eVideo download from Way of Life.
Earlier this year we reported that Majesty Music’s Rejoice Hymns, features about 10 songs by Getty/Townend, as well as ones by David Clydesdale, Scott Wesley Brown, Steve Amerson, Bob Kilpatrick, and Chris Christensen, all of whom are out-and-out Christian rockers and radical ecumenists who are using music to build the end-time, one-world church. The inclusion of a contemporary song or two in a hymnbook in itself is not evidence of compromise. We all make mistakes and we are all learners. Exceptions aren't rules, but the commitment to building bridges to contemporary worship on the part of many prominent music people among fundamental Baptists is quickly becoming the rule.
When people are informed of how dangerous contemporary worship music is and how that even the most “conservative” contemporary “hymn writers” are using their music as an ecumenical bridge to connect “traditional” churches with “the broader church,” as Getty/Townend have admitted, and instead of repenting of using it, they become the defensive and justify their actions, THAT IS CLEAR EVIDENCE OF COMPROMISE.
Justifying the use of contemporary worship is a loud warning that a ministry is heading in the wrong direction, yea, a most dangerous direction. If you justify it, you are justifying the end-time apostasy that ALL of the mainstream contemporary worship musicians represent. You are justifying the breakdown in biblical separatism.
If you justify it, you will use more and more of it, and you will give your family and church an appetite for it, and you will build bridges to that extremely dangerous world: bridges over which your church will eventually walk. Those who are justifying the use of contemporary worship music are playing with fire. (See The Directory of Contemporary Worship Musicians, a free eBook available from Way of Life for documentation -- www.wayoflife.org/free_ebooks/.)
(Friday Church News Notes, December 14, 2012, www.wayoflife.org, email@example.com, 866-295-4143)